travelingcolors:

Oh My Maps (by Marc Khachfe)

London-based artist Marc Khachfe fuses science, space, and art in his series of large-scale maps composed of multiple layers of photographs and data. ‘I was blown away by the nighttime images taken of cities at night by the astronauts on the ISS (international space station) and wanted to print out a large poster of the London one for my office, but I found them too blurry and too small to look good good printed out large format’, Khachfe explains. Sourcing open map data, Khachfe has composited the visual information with data and layered it with CGI, to mimic the glow of streets and buildings. finally, photoshop merges all the layers together and play with colors, exposure and glow augment the reality of each image. the artistic interpretations are geographically accurate and match the real images as closely as possible.

Maps (in order): London - Helsinki - Rio - Chicago - Cleveland - Amsterdam

(via dynamite-and-lazerbeams)

#inspo  

tsunderehairflip:

fleshdad:

champloo1916:

vivvav:

kokorooji:

eren-jaegars-butt:

petrichoriousparalian:

I don’t want it; I don’t need it.

this scene is even more creepy when you realize Spirited Away was a metaphor for the sex industry in Japan

oh

oh

OH FOR FUCK’S SAKE!

NO IT WASN’T, YOU JACKASSES!

"Totoro’s about dead girls!"

"Spirited Away is about sex!"

You know what I hear?

"Maybe if I make up something that sounds smart, people will think I’m smart, even if it’s a complete fucking lie!

Hayao Miyazaki is a man of values. He’s a man who believes in the innocence of childhood and has a wonderful imagination. He believes in simplicity, kindness, the beauty of nature, and the old ways. He draws on these beliefs and his personal experiences when he makes movies.

Spirited Away was made for some friends of Miyazaki’s. Specifically, the ten-year-old daughters of some friends he invited to stay at his vacation home. It’s fairly common for Miyazaki to decide that he’s going to make movies targeted at a specific age group. Ponyo is for five-year-olds. Spirited Away is meant for ten-year-old girls, but enjoyed by a much wider audience.

I repeat, SPIRITED AWAY WAS MADE FOR TEN-YEAR-OLD GIRLS.

The bathhouse? Not a brothel. Based on a bathhouse in his home town, which he thought was a place of mystery and wonder when he was a kid. That scene where the bathhouse staff has to clean the polluted river spirit? Based on Miyazaki’s own experiences of a town coming together to clean up a river. This scene? It’s about Chihiro not being greedy, because Chihiro is a positive role-model for ten-year-old girls.

The themes of Spirited Away are courage, strength of character, and individuality. ESPECIALLY individuality. That thing where Yubaba takes away peoples’ names and changes their species? That’s her taking away their individuality. Chihiro’s parents are now pigs, not people. Haku’s name has been shortened so he forgets who he is. When Yubaba changes Chihiro’s name, the only Kanji she leaves spell out “Sen”, the Japanese word for “one thousand”, meaning Chihiro is just another pawn of Yubaba’s, not her own person.

You want to seem cool and intelligent? Talk about the movie’s actual themes. Don’t make up this shock-value bullshit for attention.

You stupid motherfuckers.

Roasted.

Perf.

Why is it that everyone seems to want to turn anything innocent, into something dark and twisted?

(via naulee)

baeddelgoddess:

when you watch a movie and you’re excited for it to be ” so bad its good ” and it crosses the line to horrifyingly terrible

(via elvesarebad)

anthonyedwardstarks:

Marvel Cinematic Universe known Working Titles.

(via petequillz)

somethingsavage:

Rain-bros

(via missmegami)

maruti-bitamin:

a dress

(via dynamite-and-lazerbeams)

#nice art  

homleschapel:

summer is real cute until every fuckin type of insect comes out of the 8th circle of hell

(via serbranflakes)

Natasha in The Winter Soldier (spoilers)

aggressivebutterfly:

allofthefeelings:

sugarfey:

teaberryblue:

I sent this over an email to a friend, and I wanted to post it somewhere more public as well. 

Natasha is an interesting animal because I don’t believe that most of what we see of her, ever, is actually her. She’s someone who inputs and reflects the behavior of those around her or gives those around her what she calculates they want from her: we see this in most of IM2, with Tony and then with Pepper. We see it in scenes in Avengers, in her intro scene, with Bruce, with Loki, though I think Avengers is maybe where we see the most of what is honestly Natasha in her interactions with Clint.

I’ve seen several people say that TWS is where we are “finally seeing the real Natasha” but I don’t know how much I buy that. She’s being what she thinks Steve needs her to be— jokey-flirtatious, and her brand of sarcasm in this movie is a bit drier, a bit more like Steve’s, than the sarcasm we saw from her when she was bantering with Clint in Avengers. I think she’s reacting to his signals.

Johansson has this one particular quirk she adds to Nat’s character that I particularly like, that I tend to think of as Natasha’s lizard look. You see it in every movie: a point where she goes entirely expressionless, blinks, and looks like she’s processing like a computer. It reminds me of those sort of blank looks lizards often have. Those are the moments when I think Natasha is not sure, is processing, making a decision about which Natasha she’s supposed to be. They’re incredibly vulnerable and fascinating, because they’re not always at the points where the character is otherwise behaving vulnerably: the very first one is in the scene where she piledrives Happy, when she’s introduced in IM2. She has a few in TWS, most notably just when she asks Steve if he trusts her, and again at the end when she’s disseminating the classified info. 

Read More

(via kanerd)

(via ceruleanruler)

girlsgetbusyzine:

writeswrongs:

cumaeansibyl:

coffeeandconlangs:

Unnecessary “fillers” in our speech. I’d rather have “like” than up-talking, though (if we had to choose one, that is). Ewwww, up-talking. Then again, a combination of the two would render me homicidal maniac.

Like, did you ever notice? That, like, the speech patterns people, like, think are stupid?  Are, like, commonly associated with, like, women?

And, like, there’s this thing? Where, like, women aren’t supposed to be, like, assertive? So they, like, qualify their speech? Because, like, we’re not supposed to, like, stand by our opinions?

1) humiliate women so they don’t feel qualified to speak authoritatively about anything

2) humiliate women for speaking in such a way that reflects how you treat her

3) laugh, you are superior because you don’t use words like “like.”  It isn’t as if being a huge stupid asshole has ever made you worse than a woman who speaks with verbal tics.  

(via missmegami)

(via waldorph)

facina-oris:

“It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I’m a woman,
Phenomenally.”

(via kanerd)

makeyoufold:

moriar-t-e-a:

rachaelsrambles:

Guys, hey, guys. Do you remember that time that Coulson called Natasha and she ended up forming the Avengers?  Remember how she did that by digging up Bruce Banner and introducing Steve to him then was the voice of reason when Tony and Steve were bickering and then how she brought Clint back from being mind controlled so that they can be a team? Remember that? Remember how the Black Widow out smarted a god? Remember that time she kept her shit together when the Hulk attacked her, even though she was really scared? Remember when she knocked an alien off his flying scooter and figured out how to drive it despite it being extrateresstrial tech, then got her ass up to the top of Stark Tower, found Loki’s staff and saved the world from being invaded by turning off the machine?

Remember how she was the central character of the whole freaking movie?

Anyone else remember that? I sure do. 

#and remember how they didn’t sexualize her #remember how she was independent and didn’t need a male crutch #remember how when loki implied that she needed a man she completely tore him down #remember how natasha romanov doesn’t take shit from nobody #especially not a man

and yet all they asked scarlet was how difficult was it to get in her suit

(via overgrace)

martinekenblog:

Destruction/Creation by Chris Slabber

"Inspired by the works of Alberto Seveso, I created my own series of paint in water sculptures. These were exhibited at KKNK 2014 at a gallery called Art Karoo.The idea behind this series was to show that from Destruction comes Creation. As the paint falls there is a constant point of creation, but at the same time it destroys itself.”

(via albabutter)

avengery:

marvel isn’t an interest, it’s a lifestyle

(via petequillz)

#marvel